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This is the second attempt to perform a movie out of a Terry Pratchett original and it succeeds rather well. In this case, the movie is based on the first two novels in the ‘Discworld’ series, ‘The Colour of Magic’ and ‘The Light Fantastic’.
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Rincewind (David Jason), an inept wizard, is expelled from Unseen University. On a dare, he snuck a watch at the Octavo, the book frail to obtain the world, and one of the eight sizable spells lodged in his head.
At the same time, Twoflower (Sean Astin) arrives in Ankh-Morpork to “survey at it”. He’s the Discworld’s first tourist and he travels with the Luggage, a box made of sapient pearwood that moves about on hundreds of cramped legs and will follow it’s owner everywhere.
After conning Twoflower, Rincewind is dragged to the Patrician’s palace and ordered by Lord Vetinari (Jeremy Irons) to guide Twoflower safely through the city.
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Twoflower, introducing the idea of fire insurance to Ankh-Morpork, inadvertently causes the entire city to burn down and he and Rincewind hasten and Rincewind is plunged into several life threatening situations which he survives by sheer luck.
The helpful parts of this movie are Jeremy Irons as the Patrician and Tim Curry as Ymper Trymon, second in roar of one of the eight orders of wizardry at the university. Both play their roles with indulge in and Curry’s performance is as safe, if not better, than that of Cardinal Richelieu in ‘The 3 Musketeers’.
The awful parts? Well, a lot of the first-rate scenes in both novels are left out. There is no travelling shop, no Hrun the Barbarian, no flying rock and no Tethis the sea troll. There is also no gingerbread cottage or broomstick flying.
Also, they unfortunately chose a white actor to report Twoflower, when it’s made definite in both ‘The Colour of Magic’ and ‘Interesting Times’ that Twoflower is Chinese. A valid shame, but Sean Astin does a amazing job at portraying Twoflower’s attitude of looking at the world through rose coloured glasses.
And they got Cohen the Barbarian’s (David Bradley) teeth foul.
Although this movie takes a while to acquire going, it does score funnier as it goes along and there are some large one-liners. “I am having a advance Rincewind experience.”
Christopher Lee reprises the speak of Death, as he did in the lively versions of ‘Soul Music’ and ‘Wyrd Sisters’ and he has some of the best parts in the movie.
Aside from the dinky annoyances, the movie is quite estimable, the actors are obedient, it’s got all the wittiness you’d inquire from Pratchett, and I loved it.
A live-action Terry Pratchett movie is either doomed to fail in every device, or succeed in practically everything.
And “The Colour of Magic,” adapted from the first two novels in Pratchett’s shining Discworld series, is more the outmoded than the latter. This one is no “Hogather” — it has rather behind direction at times — but it preserves Pratchett’s wry satirical sense of humour. And of course, it’s all about a mercenary, cowardly failed wizard.
Rincewind (David Jason) is ejected from the Unseen University, on the very day that Twoflower (Sean Astin) arrives with his many-legged Luggage. He’s approach to the Disc… to “witness at it.” But after Rincewind tries to con Twoflower, the Patrician (Jeremy Irons) orders Rincewind to be the guide/bodyguard of the Disc’s first ever tourist.
After a massive fire sweeps through the city, the two demolish up fleeing Ankh-Morpork and running into all sorts of odd things — a very assertive magic sword, a floating island beefy of see-through dragons, a dramatic dragonlady in a leather bikini, astrozoologists trying to decide Mammoth A’Tuin’s gender, the former Cohen the (retired) Barbarian, druids, and even getting thrown positive off the Disc in a queer spacecraft. And you notion YOU had problems.
Unfortunately the Unseen University is having troubles of its absorb — the magical book Octavo is acting exclusive, and power-hungry Trymon (Tim Curry) is scheming against the Archchancellor. Even worse, a weird red star has appeared in the sky, and the world is facing destruction. The only thing that can assign it is the spell in Rincewind’s head.
Perhaps it’s because it’s based on the first, roughest Discworld books, but “Colour of Magic” is not quite as droll or tightly-written as its predecessor, “Hogather.” The writing is not quite as complex or as witty, and the direction sometimes feels a bit unhurried (such as the bar fight scene, or Trymon skulking and schemind around the University) .
But despite these drawbacks, “Colour of Magic” is collected a vastly challenging record — it has a solid plotline and it chugs away nicely after a somewhat inactive beginning, and blossoms into full-out complexity about halfway through. Once it gets underway it starts to resemble a road-trip through fantasy-land, with our quirky tourist and wizard bungling their contrivance across the Disc.
Along the arrangement there’s some fun action (an upside-down duel), amusing dialogue (”You weren’t born with a mysterious birthmark in the shape of a crown, were you? “), and a general air of tongue-in-cheekness. Best of all, it’s a fantasy spoof — Vadim Jean preserves Pratchett’s clever satire aimed at the staples of your average fantasy: fantasy babes, prophecies, magic swords, retired barbarians, grand artifacts, and even the thought of reality warping itself to put the “hero.”
Jason is wonderfully snivelly and sour as Rincewind, a failed wizard who basically finds himself repeatedly swept up into bizarre, deadly circumstances even though he didn’t want to be enthusiastic. Astin is even better as the hilariously oblivious Twoflower, who regards every misfortune as yet another stout adventure (”We’re going to bustle out of world!” “I have to glance that!”) .
And there’s a talented supporting cast — Curry chews the scenery with sneering aplomb, Karen David plays a humorously over-the-top dragon-lady, and Irons has a shrimp but fabulous role as the icy, efficient Vetinari. And of course, the luminous Christopher Lee takes over as an increasingly disappointed Death.
“Colour of Magic” isn’t as tightly directed as it could have been, but it unruffled manages to be clever and quite comic.
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