Groundhog Day Movie Streaming

February 6th, 2010 by kira8982469
Groundhog Day Movie Streaming. Groundhog Day Movie Streaming.

Movie Title: Groundhog Day
Average customer review:

Groundhog Day is available for streaming or downloading.

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I’m going to forego a review of the movie. Let others do that. Here’s my input on the bonus stuff:

What’s good:
“The weight of time” documentary - What makes this documentary somewhat unique, is that it allows the screenwriter some screen time to convey what his vision of the movie would have been. It’s a gutsy move that Ramis allowed this on his film, since the original concept of Groundhog Day was far darker than the final product. It’s an interesting watch, although it would have been nicer if Bill Murray made an appearance in the documentary.
Director’s commentary: Ramis’ approach is to tell small anecdotes about minor characters, how people were cast, how the scenes were filmed, etc. It’s interesting and entertaining in its own right. He doesn’t just drone on and on like many directors do. I think his acting and comedy background helps make him be more interesting, personable, and accessable for viewers to listen to.

What’s lousy:
I’m probably alone on this, but the animated menus are annoying, silly, and slow. You have to wait for the animation to get going before you’re allowed to make your choice. It’d be forgivable if there were any easter eggs hidden, but I know of none. So, it’s just annoying.

I might be making a bold claim saying this is the best Bill Murray film of them all. Many people would call me on that with films that showcase his sophomoric hijinks like Stripes or Ghostbusters. Some may look at his more slightly more refined character works like What About Bob? and Scrooged as their hits. To me Groundhog Day tops them all. This is because not only do you have Bill Murray doing a perfect performance, but also because the content itself (and the writing behind it) takes this movie to the next level.

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Groundhog Day is a morality piece done in the vein of a classic Rod Serling’s Twilight Zone episode. I kind of “what if…?” sort of tale that puts a generally successful and selfish man (played by Murray) into a hopeless situation of never being able to escape a single day in a small town. On the surface the story it looks like a situation comedy with Murray’s character living the same Groundhog Day over and over. However the further you go into the movie you get some true and believable character development. The fact Bill pulls it off convincingly as well as with his classic entertaining wit is what makes the movie shine.

Don’t think of the movie as just some lesson to learn and take with you. While it does have that they don’t preach it to you. You figure the lessons out along with Phil (Murray), and that makes for a rather deep experience. The movie at its core is a comedy, and it’s such a good comedy it’s rating among the top comedies of all time by various film associations. It’s not just a comedy either as it also has a healthy dose of romance in it. So much romance that it can pass off as a “chick flick” for those who are into that. So I guess you can say Groundhog Day is a romantic comedy/Twilight-Zonesque/morality play.

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The other actors do great as well, including co-star Andie MacDowell, supporting actors Chris Elliot (as the cameraman), Brian Doyle-Murray (mayor of the city) Stephen Tobolowsky (old high school associate) and others. The movie was directed by Murray’s cohort in Ghostbusters and Stripes Harold Ramis, which makes me wonder if the role was made for Bill. Production itself is very solid. You won’t find it winning awards for costumes, sets or special effects. At the same time you won’t find any production values detracting from the story; they only serve to enhance it.

This 15th Anniversary Edition will be digitally remastered (overseen by Ramis himself) and will include a host of special features including:

- Commentary by director Harold Ramis (not sure if it’s a new commentary or if it will be the same commentary from the last Special Edition DVD)

- The Study of Groundhogs: A Real Life Look at Marmots

- A Different Day: An Interview with Harold Ramis

- Making of Documentary

- Weight of Time documentary

- Newly discovered deleted scenes

The Weight of Time documentary was in the Special Edition DVD, but aside from that and the commentary this DVD has all new special features. The fact there are deleted scenes on this edition is enough to make me very curious on what we missed.

This movie is a must have. Any Bill Murray fan should be required to see this movie. As far as which version to get I would say the 15th Anniversary Edition, at it is the best bang for your buck. If only they didn’t use such an overly airbrushed picture for the cover. That is about the only thing about this DVD that stinks.
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Download Funny Girl/Funny Lady Movie Online

January 18th, 2010 by kira8982469
Download Funny Girl/Funny Lady Movie Online. Download Funny Girl/Funny Lady Movie Online.

Movie Title: Funny Girl/Funny Lady
Average customer review:

Funny Girl/Funny Lady is available for streaming or downloading.

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I wanted to replace all my VHS’s with DVD’s and this is a perfect solution. You get these wonderful DVD’s in one set and they are beautful to the eyes. The cover is very attractive and the movies themselves are crystal clear and the sound is superb. Not as many bonus features as I would like but I’m happy with this box set.

Far more than sharing the extended life story of Ziegfeld Follies star Fanny Brice, these two movies really show how Barbra Streisand transformed from a screen novice to a reigning goddess over the course of seven years. When she hit the big screen in 1968’s “Funny Girl”, she became an instant movie legend as master filmmaker William Wyler tailored a launching pad so accommodating to her personality and drive that it becomes apparent only later that the film itself is not terribly exceptional. The first half of the film, by far the best part, is about Brice’s fast climb to stardom and her blind infatuation of gambler Nick Arnstein, played with a bit too much continental charm by an overshadowed Omar Sharif. The comparatively dramatic second half is really about the inevitable fate of their relationship. The energy that drives the first half seems to sputter in the second half, and Streisand is left to carry the whole thing to the finish line.

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The fact that the story has anything to do with Brice seems purely circumstantial in deference to Streisand’s phenomenal talent especially as a first-rank comedienne and the pre-eminent song stylist of her generation. For the latter aspect alone, “Funny Girl” is essential viewing, especially for three solo numbers penned by the legendary team of Jule Styne and Bob Merrill (who co-wrote “Gypsy”). First, as a young wannabe trying to convince Mr. Keeney at the local burlesque house to hire her, Streisand sings “I’m the Greatest Star” with an appropriately persistent brassiness that suddenly turns into a dramatic clarion call picking up the percussive momentum of “Don’t Rain on My Parade” until the song title truly becomes fact and not a boast.

The second song is her anthem, “People”, sung to an unsurprisingly awestruck Sharif on the darkened Hollywood-phony backlit set of Henry Street, first as an expression of her unrequited love for Arnstein and then more effectively as a solo plea bordering on desperation as she leans against a lamppost. The third number is made breathtaking by the ingenious way that Wyler films her performance of “Don’t Rain on My Parade” as a montage of fast cuts that leads an Arnstein-chasing Brice to the amazing tugboat finish. The fact that they all occur in the first half makes the second half all the more desultory saved at the end by Streisand’s memorably triumphant take on Brice’s “My Man”. These are all indisputably classic movie musical moments.

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The remaining numbers are good and mostly a vehicle to show off Streisand’s considerable comedy skills - maneuvering roller skates on “I’d Rather Be Blue (Over You)”, flouncing her dress in front of a nonplussed Ziegfeld on “Second Hand Rose”, waddling around as a “pregnant” bride in the Ziegfeld extravaganza “His Love Makes Me Beautiful”, accommodating Arnstein’s aggressive parlor advances in “You Are Woman”, and chronicling her happily married state in “Sadie, Sadie”. That’s not to say she is not a fine dramatic actress, just a sometimes rather theatrical one at least in her first film here, as she expresses her heartbreak in a variety of overdone hairstyles and clothes until her seeming vindication at the end. No other actress can express as dexterously the concurrent insecurity, egotism and humor that Streisand in her prime could.

The talent is still very much in evidence, but the spirit has hardened somewhat in “Funny Lady”, the 1975 sequel which picks up Brice’s story during the Depression when the established star struggles financially to preserve her career. Unlike its predecessor, this movie does not provide a character arc which allows us to discover anything new about her character. Instead, director Herbert Ross and screenwriter Jay Presson Allen focus on the turbulent, sometimes comic relationship between the established Brice and her eventual husband, rising impresario Billy Rose. The staccato dialogue between the two, a far cry from the moony worship Brice held for first husband Arnstein in the first movie, is what makes “Funny Lady” good light entertainment even though the old-fashioned narrative often feels disjointed and truncated.

Fortunately, in full diva mode as the success-insulated heroine, Streisand is at the top of her game here, and James Caan brings youthful energy to his portrayal of the brash, egotistical Rose. The rest of the actors barely register, including Roddy McDowall as Brice’s unctuous assistant and confidante, Ben Vereen who doesn’t have a single line of dialogue as entertainer Bert Robbins, and an embalmed-looking Sharif reprising his role as Arnstein this time as a preening, materialistic fortune hunter. What a shame that the swooning love story of the first film reaches such a cynical denouement in this story.

There are songs written for the film by the estimable team of John Kander and Fred Ebb, and they meld nicely with the old, Rose-penned standards presented here. However, some of the production numbers are badly staged, for example, the faux-gospel take on “(It’s Gonna Be a) Great Day” with a sequin-infested Streisand surrounded by an ensemble of uncoordinated dancers, or the clarion call of “Let’s Hear It for Me” complete with a roadster and a biplane to replicate the driving rhythm of its obvious inspiration, “Don’t Rain on My Parade”. In fact, there are many ill-used references to “Funny Girl” from the opening montage to the overorchestrated refrains of “People” when Arnstein kisses Brice.

Moreover, the movie has a constant veneer of excess, especially the overdone Bob Mackie gowns, as if nothing seems rooted in reality. Through all this, Streisand does manage to create some breathtaking musical magic - her sonorous version of “More Than You Know” in the recording studio; her torchy, show-stopping lament, “How Lucky Can You Get” (although her revealing gown is rather distracting); and best of all, her pristine rendition of the old chestnut, “If I Love Again”, set against a glass grand piano. These are the pleasures that make the movie worthwhile in spite of its various shortcomings.
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Download The Double Life of Veroniqu Online!

November 23rd, 2009 by kira8982469

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Two women…complete strangers, but strangely linked to each other… Renowned director Krzysztof Kieslowski (Three Colors: Red, White and Blu) confirmed his reputation as one of cinema’s visionary filmmakers with this beautifully poetic, elegantly mysterious film that ponders the nature of intuition and the metaphysical connections between people. Irene Jacob lights up the screen as both Weronika, a deeply spiritual Polish soprano, and her double, Veroniqu, a more earthy French music teacher. Each senses the other and is affected by each other’s experiences, though they have no idea of the other’s existence. Aided by a haunting operatic score, The Double Life of Veroniqu is a mesmerizing masterpiece of filmmaking.

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November 22nd, 2009 by kira8982469

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There’s a satisfying sense of closure to the definitive noir kick achieved in The Big Heat: its director, Fritz Lang, had forged early links from German expressionism to the emergence of film noir, so it’s entirely logical that the expatriate director would help codify the genre with this brutal 1953 film. Visually, his scenes exemplify the bold contrasts, deep shadows, and heightened compositions that define the look of noir, and he matches that success with the darkly pessimistic themes of this revenge melodrama.

The story coheres around the suicide of a crooked cop, and the subsequnt struggle of an honest detective, Dave Bannion (Glenn Ford), to navigate between a corrupt city government and a ruthless mobster to uncover the truth. Initially, the violence here seems almost timid by comparison to the more explicit carnage now commonplace in films, yet the story accelerates as its plot arcs toward Bannion’s showdown with kingpin Lagana (Alexander Scourby) and his psychotic henchman, the sadistic Vince Stone, given an indelible nastiness by Lee Marvin. When Bannion’s wife is killed by a car bomb intended for the detective, both the hero and the story go ballistic: suspended from the force, he embarks on a crusade of revenge that suggests a template for Charles Bronson’s Death Wish films, each step pushing Lagana and Stone toward a showdown. Bodies drop, dominoes tumbled by the escalating war between the obsessed Bannion and his increasingly vicious adversaries.

Lang’s disciplined visual design and the performances (especially those of Ford, Marvin, Jeanette Nolan as the dead cop’s scheming widow, and Gloria Grahame as Marvin’s girlfriend) enable the film to transcend formula, as do several memorable action scenes–when an enraged Marvin hurls scalding coffee at the feisty Debby (Grahame), we’re both shattered by the violence of his attack, and aware that he’s shifted the balance of power. –Sam Sutherland

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November 21st, 2009 by kira8982469

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In 1973, General Augusto Pinochet overtook Chile in a violent military coup. During his 17-year rule, he ruthlessly repressed all opposition to his regime, leading to the deaths of 3,000 civilians and the torture of another 30,000. HBO Films presents the fascinating tru story of the former dictator’s surprise 1998 arrest for crimes against humanity while undergoing back surgery during a vacation in London. Caught in international conflict, Pinochet’s (Emmy Award winner Derek Jacobi) time in London forever changed his life - and the prospects for dictators across the globe.

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Watch Bruckner - Symphony No. 8 / Mehta, Israel Philharmonic Online!

November 21st, 2009 by kira8982469

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A live 1987 recording from the Alte Oper Frankfurt. Internationally acclaimed Indian conductor Zubin Mehta conducts the Israel Philharmonic Orchestra in the four movements of Anton Bruckner’s massive Symphony No. 8. 87 minutes.

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November 20th, 2009 by kira8982469

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(Action/Comedy) A young woman marries a dying senior member of a martial arts family in order to protect her family’s fortunes, leading to a dul with a greedy relative.

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Download A Chinese Ghost Story Online!

November 20th, 2009 by kira8982469

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Based on the well-known, live-action films of the same name, A Chinese Ghost Story: The Tsui Hark Animation is the fantastic tale of strange demons, hungry ghosts, and timeless love. Tsui Hark is internationally well-known for his iconoclastic style, solid storytelling, and tightly maintained pace. Among his many famous Hong Kong films are A Better Tomorrow, A Chinese Ghost Story, as well as Once Upon a Time in China.

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Free Download Of What About Me

November 19th, 2009 by kira8982469

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WHAT ABOUT ME portays the gradual deterioration of Lisa Napolitano (Rachel Amodeo) a young women forced to exist on the streets, intermingling with the outcasts of society. Along the way she encounters a shell-shocked Vietnam veteran, Nick (Richard Edson); a nihilistic East Village, Tom (Nick Zedd); and a sympathetic good samaritan, Paul (Richard Hell). WHAT ABOUT ME was filmed in black and white on location in Tompkins Square Park and the Lower East Side. Gregory Corso, Judy Carne, Johnny Thunders, Jerry Nolan and Dee Dee Ramone appear in addition to the homeless residents of the park. The soundtrack includes music by Johnny Thunders.

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November 18th, 2009 by kira8982469

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The bonnes femmes of Claude Chabrol’s film are four shop girls at a small appliance store in Paris. Good-time girl Bernadette Lafont spends her nights in empty flirtations with boorish womanizers, while social-climbing Lucile Saint-Simon withers under the disdainful gaze of her boyfriend’s haughty parents. Seemingly confident Stephane Audran secretly follows her dream of singing on the stage (losing her composure when she recognizes her friends in the audience), and demure Clotilde Joano holds out for the romantic notion of pure, innocent love. It’s her story that Chabrol favors when she falls under the gaze of a motorcycle-riding stalker who finally reveals himself to be a shy, lovesick suitor, a Prince Charming in black leather. Les Bonnes Femmes was a flop when released, but has since been embraced as one of Chabrol’s best films and a masterpiece of the French new wave. There’s a breezy naturalism that invigorates the film: easy, seemingly spontaneous ensemble performances, the immediacy of shooting on location, and a loose, episodic story full of rich detail. But this is no urban fairy tale: the dreams of these girls are frustrated by a tawdry and brutal world in a shocking, sad finale. Never callous or dismissive, there’s a fragile beauty to Chabrol’s troubled portrait as he stubbornly holds out hope for these dreamers in a delicately melancholy coda. –Sean Axmaker

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