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This stark and disturbing film is based on Argentinian soccer player Claudio Tamburrini’s legend of his kidnapping and torture by that countries military regime in the slow 70s. Falsely accused of being a terrorist, Tamburrini is imprisoned along with other young men in a decaying villa where they are routinely tortured, starved and humiliated in an attempt to bag confessions from them. After 120 days, Taburrini and three others, smart that their days are numbered, execute a doughty sprint in the middle of the night during a thunderstorm.
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The film is capable at depicting an event that will leave the viewer outraged and alarmed at the cruelty of man but the film could have perhaps been better with richer character development. Rodrigo de la Serna (from “The Motorcyle Diaries”) is reliable as Taburrini and his fellow co-stars are equally as strong but the script does not provide the viewer with a pick of who they really are. What the film does achieve is tension which is unrelenting. Although the depiction of torture is thankfully peaceful, the actors vexed expressions and emaciated bodies instruct the viewer all they need to know.
I’m perplexed as to why this film is being marketed toward the glad audience. There are no joyful subplots or relationships. The men are striped naked and get their elope that arrangement - is this the reason? Do they consider blissful people are that shallow?
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One of the aspects of this helpful film from Argentina is the disturbing fact that it is based on steady events. Director Israel Adrián Caetano (with Esteban Student and Julian Loyola) created the screenplay from the main character’s legend - ‘Pase libre’ by Claudio Tamburrini - and in doing so bring a sense of immediacy and unfiltered truth to this sage of the 1977 military dictatorship in Argentina during the time of the ‘Desaparecidos’ or terminal evacuation/elimination of dissidents to the regime.
CHRONICLE OF AN Rush (Crónica de una fuga) relates the prefer of soccer goalie Claudio Tamburrini (Rodrigo de la Serna, remembered for his magnetic portrayal of Alberto in ‘The Motorcycle Diaries’) during a soccer game in 1977 when he was abducted, blindfolded, and taken to a house of detention as a suspected revolutionary. Claudio is beaten, interrogated, starved, and forced to live nude, blindfolded and in handcuffs chained to his palette along with other detainees - Guillermo Fernández (Nazareno Casero), El Gallego (Lautaro Delgado), El Vasco (Matías Marmorato) and El Tano (Martín Urruty) . Each of the detainees is repeatedly tortured and deprived of the ‘necessities’ of living until after four months the group decides to sprint. The tension of their ingenious speed provides the film with a tense and riveting closure, and at the extinguish of the film the destinies of each of the detainees is revealed.
Though the world knows some of the details of the military junta in Argentina that lasted from 1976 to 1985, observing the calamity in the obtain of precise individuals who suffered pleads the case for conception the atrocities better than simply reading media accounts. The manner in which Caetano directs his well-behaved cast is enhanced by the wonderful cinematography of Julián Apezteguía and the changeable and creatively subtle musical win by Iván Wyszogrod. The cast is uniformly excellent: though the men who play the outrageous torturers have not been named in this review they are all very strong actors. This is a tough movie to peep and the audience should be aware that the prisoners appear in the nude throughout the film (if that is a predicament for some viewers) . In Spanish with English subtitles. Very strongly recommended, especially in this time when the notion of ‘detainees’ is so very powerful in the public glance once again! Grady Harp, August 08
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