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This 2008 British 5-part miniseries of THE DIARY OF ANNE FRANK succeeds on so many levels. There is a primal reason why we need to hear this tale time after time, and yet hope that we can somehow change the ending…

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Anne Frank’s wartime diary gave a poignant face to the Holocaust, an event unparalled in the annals of human cruelty. Deborah Moggach (the writer of the Keira Knightley version of PRIDE & PREJUDICE) casts a unique spy over the novel material, stripping away any possible shred of melodrama to mumble even more raw human emotion than seen in other versions of the narrative.

And newcomer Ellie Kendrick is nothing short of a revelation as Anne. Looking eerily like the valid Anne at times, Kendrick brings her vividly to life with all the angst, apprehension, rage and humour that the role requires. The rest of the cast follows suit. I was especially surprised by how great Iain Glen and Tamsin Greig were as Anne’s parents. There’s a heartbreaking scene between Anne and her father–missing from other versions of the story–which had me absolutely floored.

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It seems that each version of the account brings us closer and closer to the essence of the loyal Anne. This latest version is refreshing and raw in it’s depiction of one of the most provocative chapters in recent history.

Bonus features will likely include “Rutka: A Diary of the Holocaust” which introduces audiences to Rutka Laskier, a fourteen-year-old Holocaust victim whose occupy diary–written in the Polish ghetto of Bédzin–was only discovered and published in 2006. This 50-minute doco was piece of the UK and Australian DVD releases.

This latest adaptation of “The Diary of Anne Frank” is by the BBC (released in 2008, comprising 5 episodes of 30 minutes each) . The screenplay is by Deborah Moggach, and is directed by Jon Jones. This adaptation stars Ellie Kendrick as Anna Frank, a feisty 13-year-old Jewish girl who finds her world turned upside down when the Nazis invade Holland in 1942. When her older sister, 16-year-old Margot (Felicity Jones) receives a summons from the Nazis to record for deportation, the Frank family, including father Otto (Iain Glen) and mother Edith (Tamsin Grieg) go into hiding in a Secret Annex above Otto’s office. They are helped by a group of precise Gentile friends, namely Miep Gies (Kate Ashfield), Mr Kleiman (Roger Frost), Mr Kugler (Tim Dantay), and Bep Voskuijl (Mariah Gale) . The Franks are later joined by the Van Daans, comprising father Hermann (Ron Cook), mother Petronella (Lesley Though-provoking), and son Peter (Geoff Breton), and soon after by dentist Albert Dussell (Nicholas Farrell) .

Living under such constraints puts a lot of stress on the occupants of the Secret Annex, and the chronicle unfolds through Anne’s observations (told partly through voiceovers) as the valid Anne Frank had made these observations about her life in hiding in her beloved diary. Anne’s chafing under the restrictions of living in hiding is credibly portrayed here(especially the conflicts with Mrs Van Daan and Dussell), as is her adolescent angst which comes across most clearly in her tense relationship with her mother, whom Anne felt did not truly understand her, in inequity to her beloved Pim/Dad whom Anne was very cessation to. The budding romance between Anne and Peter Van Daan is also explored with a gargantuan degree of sensitivity, and it is wonderful to recognize these adolescents manage to connect on an intimate level, despite the harrowing circumstances they accumulate themselves in. Anne’s heartfelt conversation with her father is one of the most poignant scenes here and Anne’s reflections on her parent’s marriage is very insightful, especially from one so young. Ellie Kendrick delivers a finely nuanced performance as the adolescent Anne who harbors so many desires and ambitions, hopes for an unfettered and normal life, and the yearnings of a teenage girl. Her intimate observations regarding her body’s cycle and all that it signifies are altogether poignant and heartrending to behold.

The sense of fright and pains is palpable from the first moments, and pervades the exhibit. But there are also light-hearted moments to offset the bleak atmosphere, as when Mrs Van Daan refuses to eat cabbage because it gives her gas, and the droll teeth-pulling scene gripping a positive fuss-pot and the dentist. But, intellectual their final fate (as anyone who is familiar with Anne Frank’s myth will know) makes this a heartrending scrutinize indeed. This series ends with Anne, her family, the Van Daans and Dussell being led away by the authorities after their hiding region was discovered (they were betrayed, and the identity of the person/s who betrayed them has never been confirmed till today, though there are many books written on the subject and speculations on the identity of the person/s concerned) . The fates of all eight Jews in hiding is also revealed.

I would highly recommend this latest adaptation of “The Diary of Anne Frank” to anyone who has an interest in the Holocaust, who has read and loved Anne Frank’s “Diary of a Young Girl”, and also to teachers of History, may we never forget. There is also a bonus feature which is an interview with Anne Frank’s cousin, Buddy Elias.

Note:

I have watched two previous camouflage adaptations of “The Diary of Anne Frank”. The 1959 B&W movie (total running time:180 mins) starring Millie Perkins as Anne Frank and Joseph Schildkraut as Anne’s father, Otto. Though this movie was well-acted and credibly portrayed the fears and frustrations of people in hiding, I felt the movie was wanting in terms of being faithful to the recent source, i.e. Anne’s diary. This movie is not an altogether historically honest representation of true events. The Franks had gone into hiding before the Van Daans, but this is portrayed otherwise in the movie. Peter Van Daan [Van Pels] was extremely apprehensive in staunch life, but his demeanor is portrayed differently here, and his romance with Anne is overly exaggerated in typical Hollywood style. This movie ends with the assume of the Franks’ and their friends in hiding.

The second version I watched was “Anne Frank - The Whole Sage” (Walt Disney Studio Release 2001 -total running time 120 mins) and is a well-acted and beautifully filmed movie based on Melissa Muller’s biography of Anne Frank. The movie was beautifully filmed with broad attention to period details and the favorable casting choices made this an animated viewing experience. Ben Kingsley played the role of Otto Frank and Hannah Taylor-Gordon plays Anne Frank. Her resemblance to the real-life Anne is quite uncanny. Her portrayal of Anne is simply extraordinary - strong-willed, impetuous, candid, ambitious, and yet, underlying all that fierceness of spirit is a young girl on the brink of womanhood who yearns to be notion of as a woman and not a girl, and longs for freedom and cherish. This adaptation ends not with the prefer of hidden Jews in the Secret Annex, but with the sisters in the Bergen-Belsen camp, and with their deaths.

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