Not yet listed on the Amazon page, here are the goodies that will be in this 3-disc version:
Buy,Download, Or Stream Wall-E! Click Here
Standard bonus material:
director’s commentary,
deleted scenes,
short film: Presto,
Buy,Download, Or Stream Wall-E! Click Here
new short: BURN*E,
“Animation Sound Produce”,
“WALL*E’s Tour of the Universe”;
Exclusive to the 3-Disc Special Edition DVD:
more deleted scenes,
making-of featurettes,
BnL shorts,
documentary film The Pixar Account,
“WALL*E’s Treasures and Trinkets”,
“Lots of Bots”
DisneyFile digital copy.
I am floored. I didn’t believe it was possible for Pixar to surpass Toy Anecdote, but it has. A sophisticated treat for adults and teens, a cuddly romance for the juice-box station, this comedic science fiction thriller romance (really!) takes the company to a unusual, more dilapidated level. Filled with artistry, depth, meaning and a lot of humor, WALL-E is a masterpiece. Where Cars was a kid’s movie with added adult themes, this is an adult movie with added value for children.
DIALOGUE SCHMIALOGUE
Before I saw WALL-E I had read about the lack of dialogue, and how it might be a dangerous go for Pixar to earn a film with characters that don’t talk in a ragged sense. Well, trash that. The most emotionally worthy scenes in this movie are those with the LEAST dialogue. Fully developed and indeed almost human, the two main characters are Wall-E himself (the letters stand for Kill Allocation Load Lifter-Earth Class; there’s also a WALL-A) and EVE (Extraterrestrial Vegetation Evaluator), two machines in admire.
After about a half hour I was wondering if Pixar could continue to pull off this less-is-more plan for the rest of the film — then the two robots started playing Pong! Such imaginative screenplay carries the film to what should be a Best Recount nomination. Seriously.
A TOUCHING STORY
WALL-E is a lonely tiny robotic trash compactor who was left tedious after Earth was abandoned some 700 years earlier. He has been methodically cleaning up the trash-ridden planet ever since, and harboring a puny plant he has found among the garbage. Eve, meanwhile, lives on the gigantic spaceship Axiom, which is also home to the elephantine, blob-like remains of the human rush. She is a probe robot that flies to Earth to decide if the planet is ready for habitation. WALL-E takes one gaze at the streamlined, angelic Eve and falls in worship.
It didn’t retract long for me to plunge in adore with the dinky robot. As soon as he giggled (after his pet cockroach happy him) I was zigzag. This hardworking rusty guy with his exiguous home fleshy of detached treasures is so poignant. His lonely life is so human. Eve is honest as likable, but distinguished more sleek. Arrive the waste comes a heartbreaking moment when a key character seems to lose all personality, all self. So well done, it made me judge of how families must feel when a loved one disappears inside him- or herself with Alzheimer’s disease.
All ends well, of course. As the credits roll, the artwork illustrates how everyone and everything lives happily after ever.
AN ADULT MEANING
For adults, WALL-E is not so great about a cute tiny robot as it is about the future of man. What happens when humans become such creatures of the consumer culture, so fleshy they can’t even stand up without assistance, living literally on auto-pilot, that they do nothing but win cheap merchandise, stuff their faces at the Regurgitated Food Buffet and lie around watching video screens? Can they ever earn befriend to the land and place their souls free? Crosby, Stills, Nash and Young asked that demand decades ago; Pixar asks it today.
There is even a sly political reference. Broadcasting a message to the passengers of the spaceship, the CEO of monster corporation Pick ‘n’ Gargantuan — played in live-action by the inimitable Fred Willard, and named Shelby Forthright — says they will be continuing on their never-ending, hopeless flee to nowhere because they must “Finish the course!” Hmmm, haven’t I heard a president exercise that line?
EXTRA TOUCHES
WALL-E has so many extraordinary touches! After the petite robot is charged using his solar panels, he “turns on” with a sound any Macintosh owner will search for. The robot’s calm objects, grand like the thingamabobs of The Cramped Mermaid’s Ariel, are things that are uniquely human: bubble wrap, an iPod, a Rubics cube, a singing plastic trophy fish and — blink and you’ll miss it — a carrousel horse from Walt Disney World. Especially inspired are the two things on this future Earth that are totally indestructible: a cockroach and Twinkies.
Stay for the credits. Recalling cave drawings, hieroglyphics, Monet and Van Gogh paintings and early computer graphics, the progressive sequence of art within them sneaks in the history of dialogue-free storytelling.
ANIMATED? REALLY?
The peer of the movie is hard to represent. In one scene, when WALL-E and EVE are investigating a section of bubble wrap, you can’t teach it is an engaging film. It actually appears to be live-action. Likewise, the outer position scenes have the same level of realism as any of the Star Wars movies. The trailing tower of squiggly smoke that’s left unhurried by a launching spacecraft re-creates the Florida sky of a Status Shuttle open to a T. For the most fragment, it is only when humans are portrayed that you are consciously aware that what you’re watching was generated on circuit boards, not in cameras.
I’ve seen the movie three times, first in digital projection and then from a film projector. The digital showing was remarkable sharper, which made all the realistic touches far easier to indulge in.
MOVIE REFERENCES
It’s sure the Pixar folks are movie lovers; there are so many cinematic inspirations in WALL-E that I lost count. The “Place On Your Sunday Clothes” sequence from Hello, Dolly! shows up — literally — maybe half a dozen times. (Disney World fans may also remember the song as one of the background melodies along Main Street U.S.A.) The Axiom spaceship’s computer is clearly an homage to HAL from 2001: A Region Odyssey; that film’s signature overture “Also Sprach Zarathustra” plays at a key moment. WALL-E himself combines the purrs of E.T., the attitude of R2-D2 and the moves of Charlie Chaplin. There’s a brief reference to Gigantic.
OPENING CARTOON
The movie is preceded by a Pixar short, “Presto,” that had the entire audience I was sitting with in stitches. Its plot: When a magician neglects to feed his bunny a carrot, an escalating concern results. It’s so nice to begin a feature with a cartoon. I wish other studios serene did it. (Disney fans will sign the magician’s hat is similar to the one old by Mickey Mouse in Fantasia.)
SOUVENIR TOY
Might as well budget it in: if you grasp your kids to peek this you’re going to be buying a souvenir. Here’s the coolest one I’ve found on Amazon: U Articulate Wall-E.
Will it ever rush out? This continuous font of imagination from Pixar? With WALL-E, it obvious doesn’t search for like it.
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